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Bill Connors (born September 24, 1949) is a jazz musician notable for playing in Chick Corea's band Return to Forever, with whom he recorded Hymn of the Seventh Galaxy. After leaving Return to Forever, he recorded three acoustic albums and then three electric albums as a leader/soloist.〔"the complex and highly talented young guitarist, Bill Connors" (Nemko, Guitar Player, 1974; "Bill Connors has been admired by aficionados and fellow players for his finely developed musical sense since he first broke on the national scene" (Santoro, Guitar Player, 1985); "Bill Connors has always lived and played ahead of the times" (Messer, Guitar Player, 2005); "Bill Connors was the 'cry of love' in fusion guitar" (Vernon Reid, 100 Years of Jazz Guitar, Columbia Records)〕 == Early years == Connors was born in Los Angeles, California in 1949 and began to play the guitar at the age of fourteen. After three years of extensive self-study of the rock and blues influences that were his first inspiration, he began to play gigs around the Los Angeles area. He soon found his way to jazz, the music that would lead to a lifelong commitment. "I'd been playing for about four years", he explained at the time of his RTF tenure, "and suddenly had an overnight change. I didn't want to be a blues guitarist anymore. I began listening to people like Bill Evans, Jim Hall, Wes Montgomery, () Scott LaFaro, Miles Davis, () Coltrane—anyone who had a 'jazz' label. Django Reinhardt really got to me. The first time I heard one of his records, I thought that was just what I wanted to be. He had all the fire, creativity, and energy that rock players have today. And the amazing purity of his melodies—you just knew they came from a totally instinctive place." 〔Connors, interview with Frankie Nemko, Guitar Player, October 1974〕 He and Django differed however over the matter of electronics with Bill preferring the sound of the electric instrument. "I always wanted to use the electric guitar in a sophisticated context, like with Chick (). I like to play jazz with that electric-rock sound. For me it's a lot closer to a horn than the traditional guitar, and that's what I love about it; I can sustain notes, get into different kinds of phrasing -- do things other instruments do naturally, only the guitar does it with the aid of technology." 〔Connors, interview with Frankie Nemko, Guitar Player, October 1974〕 Connors moved to San Francisco in 1972 to join the Mike Nock Group (formerly known as "The Fourth Way") with drummer Eddie Marshall and bassist Dennis Parker. He met up with drummer and vibraphonist Glenn Cronkhite, who would introduce him to a new depth of jazz sounds and study. In those early years in the city by the bay, Connors played with numerous top-flight musicians, including Cronkhite, bassist Steve Swallow and pianist Art Lande. 抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』 ■ウィキペディアで「Bill Connors」の詳細全文を読む スポンサード リンク
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